Hard-hitting solo show, where anecdotes become painful secrets and the body reveals as much as words, if not more.
Its title serving as a promise, Confession Publique explores ambiguity and paradox, probes the noble and the vulgar, oscillates between grace and brutality. Choreographer Mélanie Demers turns her trusted collaborator Angélique Willkieinto her muse. Together, these two kindred spirits explore the act of telling others about yourself without reserve. Performed by Willkie, the result is a hard-hitting solo show, where anecdotes become painful secrets and the body reveals as much as words, if not more. Confession Publique is a courageous laying bare of the self—a full unveiling—made possible through the trust emerging from the profound encounter of its makers.
The performance is part of Moving in November 5.–15.11.2026. As part of the festival, there will be an open Soup Talks discussion with Demers and local host on the 6th of November at noon in Caisa.
Interpretation: Angélique Willkie (with the participation of Anne-Marie Jourdenais)
Rehearsal director: Anne-Marie Jourdenais
Dramaturgy: Angélique Willkie
Original music: Frannie Holder
Additional music: Excerpt by The Fairy Queen, composed by Henry Purcell, singing Angélique Willkie
Scenography: Odile Gamache
Lighting design: Claire Seller
Costumes and accessories: Elen Ewing
Technical director and management: Hannah Kirby
Production: MAYDAY
Production manager: Alec Arsenault
Special thanks: Éléonore Loiselle, Mélanie Primeau
Co-production: La Chapelle Scènes Contemporaines, Montréal, Canada; Agora de la danse, Montréal, Canada; Centro per la Scena Contemporanea Bassano del Grappa, Italy
This creation is the subject of a doctoral research-creation at the Département d’Études et pratiques des arts at UQAM.
Photo: Kevin Calixte
Visit supported by: The Québec Government Office in London
Visit in collaboration with: Stoa
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